TIMOTHY C. TAKACH
UNFASHIONED
CREATURE
43’ ballet for SATB, cello, percussion
Unfashioned Creature takes inspiration from Mary Shelley’s timeless 1818 novel Frankenstein. Weaving together contemporary social themes: rejection, self-discovery, and love, both works forward a complex character who seeks to find belonging and equality.
“Play” - Board game inspired music!
Written as a Valentine’s Day gift, these 3 piano solo were all inspired by hobby board games. Order physical or digital scores today!
Computing Venus
Feb. 9, 7:30pm
An opera in one act
Performance details and livestream link here.
Computing Venus provides a glimpse into the life of astronomer Maria Mitchell, one of the earliest champions of women in STEM. The opera follows Mitchell’s efforts to cultivate the next generation of women astronomers, even as growing movements threatened to close the world of science to women forever.
Now available for performance!
Helios - full score
Positioned at the nexus of science, faith and humanity, Helios follows a narrative of order and chaos, exploring that which is within our control, that which is not, and showing that we have the power to change our trajectory. The music provides a constantly changing landscape of textures, soundscapes, vocal techniques and harmonic language, and the libretto is a combination of published and commissioned poems from contemporary writers as well as translations of ancient texts. The theme of each planetary movement is inspired by the mythology or science of its namesake.
Timothy C. Takach
Timothy C. Takach is an award-winning composer based in Minneapolis, MN. In addition to his full-time composing work, he is a professional choral singer and soloist, he is part of the band Nation, he owns Graphite Publishing along with co-founder Jocelyn Hagen, and he is a conductor and clinician.
SOME VIDEOS FROM OUR YOUTUBE CHANNEL
FEATURED WORKS
KEEP IN TOUCH WITH TIM
JOIN HIS MAILING LIST FOR THE LATEST NEWS, CONCERT ANNOUNCEMENTS, SPECIAL EVENTS AND MORE…
Commissioning
Ever wanted to help make something creative from the ground up, and watch the effect it has on others? Me too. It’s quite thrilling.
Part of the reason why I compose is to give musical (and emotional) experiences to others. Much of this is driven by what I want to say as a person and artist, but on a commissioned piece I work in collaboration to make a piece with and for somebody else. Composing can be a lonely career, but finding connection to other musicians through the commissioning process keeps me connected and inspired.